But nobody would listen to him. He was a dirty old man in the wilderness, crying out among the trees and underbrush, "Ideas or the lack of them can cause disease!"
*
Kilgore Trout became a pioneer in the field of mental health. He advanced his theories disguised as science-fiction. He died in 1981, almost twenty years after he made Dwayne Hoover so sick.
He was by then recognized as a great artist and scientist. The American Academy of Arts and Sciences caused a monument to be erected over his ashes. Carved in its face was a quotation from his last novel, his two-hundred-and-ninth novel, which was unfinished when he died. The monument looked like this:
2
DWAYNE WAS a widower. He lived alone at night in a dream house in Fairchild Heights, which was the most desirable residential area in the city. Every house there cost at least one hundred thousand dollars to build. Every house was on at least four acres of land.
Dwayne's only companion at night was a Labrador retriever named Sparky. Sparky could not wag his tail--because of an automobile accident many years ago, so he had no way of telling other dogs how friendly he was. He had to fight all the time. His ears were in tatters. He was lumpy with scars.
*
Dwayne had a black servant named Lottie Davis. She cleaned his house every day. Then she cooked his supper for him and served it. Then she went home. She was descended from slaves.
Lottie Davis and Dwayne didn't talk much, even though they liked each other a lot. Dwayne reserved most of his conversation for the dog. He would get down on the floor and roll around with Sparky, and he would say things like, "You and me, Spark," and "How's my old buddy?" and so on.
And that routine went on unrevised, even after Dwayne started to go crazy, so Lottie had nothing unusual to notice.
*
Kilgore Trout owned a parakeet named Bill. Like Dwayne Hoover, Trout was all alone at night, except for his pet. Trout, too, talked to his pet.
But while Dwayne babbled to his Labrador retriever about love, Trout sneered and muttered to his parakeet about the end of the world.
"Any time now," he would say. "And high time, too."
It was Trout's theory that the atmosphere would become unbreathable soon.
Trout supposed that when the atmosphere became poisonous, Bill would keel over a few minutes before Trout did. He would kid Bill about that. "How's the old respiration, Bill?" he'd say, or, "Seems like you've got a touch of the old emphysema, Bill," or, "We never discussed what kind of a funeral you want, Bill. You never even told me what your religion is." And so on.
He told Bill that humanity deserved to die horribly, since it had behaved so cruelly and wastefully on a planet so sweet. "We're all Heliogabalus, Bill," he would say. This was the name of a Roman emperor who had a sculptor make a hollow, life-size iron bull with a door on it. The door could be locked from the outside. The bull's mouth was open. That was the only other opening to the outside.
Heliogabalus would have a human being put into the bull through the door, and the door would be locked. Any sounds the human being made in there would come out of the mouth of the bull. Heliogabalus would have guests in for a nice party, with plenty of food and wine and beautiful women and pretty boys--and Heliogabalus would have a servant light kindling. The kindling was under dry firewood--which was under the bull.
*
Trout did another thing which some people might have considered eccentric: he called mirrors leaks. It amused him to pretend that mirrors were holes between two universes.
If he saw a child near a mirror, he might wag his finger at a child warningly, and say with great solemnity, "Don't get too near that leak. You wouldn't want to wind up in the other universe, would you?"
Sometimes somebody would say in his presence, "Excuse me, I have to take a leak." This was a way of saying that the speaker intended to drain liquid wastes from his body through a valve in his lower abdomen.
And Trout would reply waggishly, "Where I come from, that means you're about to steal a mirror."
And so on.
By the time of Trout's death, of course, everybody called mirrors leaks. That was how respectable even his jokes had become.
*
In 1972, Trout lived in a basement apartment in Cohoes, New York. He made his living as an installer of aluminum combination storm windows and screens. He had nothing to do with the sales end of the business--because he had no charm. Charm was a scheme for making strangers like and trust a person immediately, no matter what the charmer had in mind.
*
Dwayne Hoover had oodles of charm.
*
I can have oodles of charm when I want to.
*
A lot of people have oodles of charm.
*
Trout's employer and co-workers had no idea that he was a writer. No reputable publisher had ever heard of him, for that matter, even though he had written one hundred and seventeen novels and two thousand short stories by the time he met Dwayne.
He made carbon copies of nothing he wrote. He mailed off manuscripts without enclosing stamped, self-addressed envelopes for their safe return. Sometimes he didn't even include a return address. He got names and addresses of publishers from magazines devoted to the writing business, which he read avidly in the periodical rooms of public libraries. He thus got in touch with a firm called World Classics Library, which published hard-core pornography in Los Angeles, California. They used his stories, which usually didn't even have women in them, to give bulk to books and magazines of salacious pictures.
They never told him where or when he might expect to find himself in print. Here is what they paid him: doodley-squat.
*
They didn't even send him complimentary copies of the books and magazines in which he appeared, so he had to search them out in pornography stores. And the titles he gave to his stories were often changed. "Pan Galactic Straw-boss," for instance, became "Mouth Crazy."
Most distracting to Trout, however, were the illustrations his publishers selected, which had nothing to do with his tales. He wrote a novel, for instance, about an Earthling named Delmore Skag, a bachelor in a neighborhood where everybody else had enormous families. And Skag was a scientist, and he found a way to reproduce himself in chicken soup. He would shave living cells from the palm of his right hand, mix them with the soup, and expose the soup to cosmic rays. The cells turned into babies which looked exactly like Delmore Skag.
Pretty soon, Delmore was having several babies a day, and inviting his neighbors to share his pride and happiness. He had mass baptisms of as many as a hundred babies at a time. He became famous as a family man.
And so on.
*
Skag hoped to force his country into making laws against excessively large families, but the legislatures and the courts declined to meet the problem head-on. They passed stern laws instead against the possession by unmarried persons of chicken soup.
And so on.
The illustrations for this book were murky photographs of several white women giving blow jobs to the same black man, who, for some reason, wore a Mexican sombrero.
At the time he met Dwayne Hoover, Trout's most widely-distributed book was Plague on Wheels. The publisher didn't change the title, but he obliterated most of it and all of Trout's name with a lurid banner which made this promise:
A wide-open beaver was a photograph of a woman not wearing underpants, and with her legs far apart, so that the mouth of her vagina could be seen. The expression was first used by news photographers, who often got to see up women's skirts at accidents and sporting events and from underneath fire escapes and so on. They needed a code word to yell to other newsmen and friendly policemen and firemen and so on, to let them know what could be seen, in case they wanted to see it. The word was this: "Beaver!"
A beaver was actually a large rodent. It loved water, so it built dams. It looked like this:
The sort of beaver which excited news photographers so much looked
like this:
This was where babies came from.
*
When Dwayne was a boy, when Kilgore Trout was a boy, when I was a boy, and even when we became middle-aged men and older, it was the duty of the police and the courts to keep representations of such ordinary apertures from being examined and discussed by persons not engaged in the practice of medicine. It was somehow decided that wide-open beavers, which were ten thousand times as common as real beavers, should be the most massively defended secret under law.
So there was a madness about wide-open beavers. There was also a madness about a soft, weak metal, an element, which had somehow been declared the most desirable of all elements, which was gold.
*
And the madness about wide-open beavers was extended to underpants when Dwayne and Trout and I were boys. Girls concealed their underpants at all costs, and boys tried to see their underpants at all costs.
Female underpants looked like this:
One of the first things Dwayne learned in school as a little boy, in fact, was a poem he was supposed to scream in case he saw a girl's underpants by accident in the playground. Other students taught it to him. This was it:
I see England,
I see France;
I see a little girl's
Underpants!
When Kilgore Trout accepted the Nobel Prize for Medicine in 1979, he declared: "Some people say there is no such thing as progress. The fact that human beings are now the only animals left on Earth, I confess, seems a confusing sort of victory. Those of you familiar with the nature of my earlier published works will understand why I mourned especially when the last beaver died.
"There were two monsters sharing this planet with us when I was a boy, however, and I celebrate their extinction today. They were determined to kill us, or at least to make our lives meaningless. They came close to success. They were cruel adversaries, which my little friends the beavers were not. Lions? No. Tigers? No. Lions and tigers snoozed most of the time. The monsters I will name never snoozed. They inhabited our heads. They were the arbitrary lusts for gold, and, God help us, for a glimpse of a little girl's underpants.
"I thank those lusts for being so ridiculous, for they taught us that it was possible for a human being to believe anything, and to behave passionately in keeping with that belief--any belief.
"So now we can build an unselfish society by devoting to unselfishness the frenzy we once devoted to gold and to underpants."
He paused, and then he recited with wry mournfulness the beginning of a poem he had learned to scream in Bermuda, when he was a little boy. The poem was all the more poignant, since it mentioned two nations which no longer existed as such. "I see England," he said, "I see France--"
*
Actually, women's underpants had been drastically devalued by the time of the historic meeting between Dwayne Hoover and Trout. The price of gold was still on the rise.
Photographs of women's underpants weren't worth the paper they were printed on, and even high quality color motion pictures of wide-open beavers were going begging in the marketplace.
There had been a time when a copy of Trout's most popular book to date, Plague on Wheels, had brought as much as twelve dollars, because of the illustrations. It was now being offered for a dollar, and people who paid even that much did so not because of the pictures. They paid for the words.
*
The words in the book, incidentally, were about life on a dying planet named Lingo-Three, whose inhabitants resembled American automobiles. They had wheels. They were powered by internal combustion engines. They ate fossil fuels. They weren't manufactured, though. They reproduced. They laid eggs containing baby automobiles, and the babies matured in pools of oil drained from adult crankcases.
Lingo-Three was visited by space travelers, who learned that the creatures were becoming extinct for this reason: they had destroyed their planet's resources, including its atmosphere.
The space travelers weren't able to offer much in the way of material assistance. The automobile creatures hoped to borrow some oxygen, and to have the visitors carry at least one of their eggs to another planet, where it might hatch, where an automobile civilization could begin again. But the smallest egg they had was a forty-eight pounder, and the space travelers themselves were only an inch high, and their space ship wasn't even as big as an Earthling shoebox. They were from Zeltoldimar.
The spokesman for the Zeltoldimarians was Kago. Kago said that all he could do was to tell others in the Universe about how wonderful the automobile creatures had been. Here is what he said to all those rusting junkers who were out of gas: "You will be gone, but not forgotten."
The illustration for the story at this point showed two Chinese girls, seemingly identical twins, seated on a couch with their legs wide open.
*
So Kago and his brave little Zeltoldimarian crew, which was all homosexual, roamed the Universe, keeping the memory of the automobile creatures alive. They came at last to the planet Earth. In all innocence, Kago told the Earthlings about the automobiles. Kago did not know that human beings could be as easily felled by a single idea as by cholera or the bubonic plague. There was no immunity to cuckoo ideas on Earth.
*
And here, according to Trout, was the reason human beings could not reject ideas because they were bad: "Ideas on Earth were badges of friendship or enmity. Their content did not matter. Friends agreed with friends, in order to express friendliness. Enemies disagreed with enemies, in order to express enmity.
"The ideas Earthlings held didn't matter for hundreds of thousands of years, since they couldn't do much about them anyway. Ideas might as well be badges as anything.
"They even had a saying about the futility of ideas: 'If wishes were horses, beggars would ride.'
"And then Earthlings discovered tools. Suddenly agreeing with friends could be a form of suicide or worse. But agreements went on, not for the sake of common sense or decency or self-preservation, but for friendliness.
"Earthlings went on being friendly, when they should have been thinking instead. And even when they built computers to do some thinking for them, they designed them not so much for wisdom as for friendliness. So they were doomed. Homicidal beggars could ride."
3
WITHIN A CENTURY of little Kago's arrival on Earth, according to Trout's novel, every form of life on that once peaceful and moist and nourishing blue-green ball was dying or dead. Everywhere were the shells of the great beetles which men had made and worshipped. They were automobiles. They had killed everything.
Little Kago himself died long before the planet did. He was attempting to lecture on the evils of the automobile in a bar in Detroit. But he was so tiny that nobody paid any attention to him. He lay down to rest for a moment, and a drunk automobile worker mistook him for a kitchen match. He killed Kago by trying to strike him repeatedly on the underside of the bar.
*
Trout received only one fan letter before 1972. It was from an eccentric millionaire, who hired a private detective agency to discover who and where he was. Trout was so invisible that the search cost eighteen thousand dollars.
The fan letter reached him in his basement in Cohoes. It was hand-written, and Trout concluded that the writer might be fourteen years old or so. The letter said that Plague on Wheels was the greatest novel in the English language, and that Trout should be President of the United States.
Trout read the letter out loud to his parakeet. "Things are looking up, Bill," he said. "Always knew they would. Get a load of this." And then he read the letter. There was no indication in the letter that the writer, whose name was Eliot Rosewater, was a grownup, was fabulously well-to-do.
*
Kilgore Trout, incidentally, could never be President of the United States without a Constitutional amendment. He hadn't been born inside the country. His birthplace was Bermuda. His father, Leo Trout, while remaining an American citizen, worked there for many years for the Royal Or
nithological Society--guarding the only nesting place in the world for Bermuda Erns. These great green sea eagles eventually became extinct, despite anything anyone could do.
*
As a child, Trout had seen those Erns die, one by one. His father had assigned him the melancholy task of measuring wingspreads of the corpses. These were the largest creatures ever to fly under their own power on the planet. And the last corpse had the greatest wingspread of all, which was nineteen feet, two and three-quarters inches.
After all the Erns were dead, it was discovered what had killed them. It was a fungus, which attacked their eyes and brains. Men had brought the fungus to their rookery in the innocent form of athlete's foot.
Here is what the flag of Kilgore Trout's native island looked like:
*
So Kilgore Trout had a depressing childhood, despite all of the sunshine and fresh air. The pessimism that overwhelmed him in later life, which destroyed his three marriages, which drove his only son, Leo, from home at the age of fourteen, very likely had its roots in the bittersweet mulch of rotting Erns.
*
The fan letter came much too late. It wasn't good news. It was perceived as an invasion of privacy by Kilgore Trout. The letter from Rosewater promised that he would make Trout famous. This is what Trout had to say about that, with only his parakeet listening: "Keep the hell out of my body bag."
A body bag was a large plastic envelope for a freshly killed American soldier. It was a new invention.
*
I do not know who invented the body bag. I do know who invented Kilgore Trout. I did.
I made him snaggle-toothed. I gave him hair, but I turned it white. I wouldn't let him comb it or go to a barber. I made him grow it long and tangled.
I gave him the same legs the Creator of the Universe gave to my father when my father was a pitiful old man. They were pale white broomsticks. They were hairless. They were embossed fantastically with varicose veins.
And, two months after Trout received his first fan letter, I had him find in his mailbox an invitation to be a speaker at an arts festival in the American Middle West.