The Project Gutenberg Etext of The Adventures of Sherlock Holmes
#15 in our series by Arthur Conan Doyle
Copyright laws are changing all over the world, be sure to check
the copyright laws for your country before posting these files!!
Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers. Do not remove this.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**Etexts Readable By Both Humans and By Computers, Since 1971**
*These Etexts Prepared By Hundreds of Volunteers and Donations*
Information on contacting Project Gutenberg to get Etexts, and
further information is included below. We need your donations.
The Adventures of Sherlock Holmes
by Arthur Conan Doyle
March, 1999 [Etext #1661]
The Project Gutenberg Etext of The Adventures of Sherlock Holmes
******This file should be named advsh11.txt or advsh11.zip******
Corrected EDITIONS of our etexts get a new NUMBER, advsh12.txt
VERSIONS based on separate sources get new LETTER, advsh10a.txt
Project Gutenberg Etexts are usually created from multiple editions,
all of which are in the Public Domain in the United States, unless a
copyright notice is included. Therefore, we do NOT keep these books
in compliance with any particular paper edition, usually otherwise.
We are now trying to release all our books one month in advance
of the official release dates, for time for better editing.
Please note: neither this list nor its contents are final till
midnight of the last day of the month of any such announcement.
The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month. A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so. To be sure you have an
up to date first edition [xxxxx10x.xxx] please check file sizes
in the first week of the next month. Since our ftp program has
a bug in it that scrambles the date [tried to fix and failed] a
look at the file size will have to do, but we will try to see a
new copy has at least one byte more or less.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The
fifty hours is one conservative estimate for how long it we take
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc. This
projected audience is one hundred million readers. If our value
per text is nominally estimated at one dollar then we produce $2
million dollars per hour this year as we release thirty-six text
files per month, or 432 more Etexts in 1999 for a total of 2000+
If these reach just 10% of the computerized population, then the
total should reach over 200 billion Etexts given away this year.
The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
This is ten thousand titles each to one hundred million readers,
which is only ~5% of the present number of computer users.
At our revised rates of production, we will reach only one-third
of that goal by the end of 2001, or about 3,333 Etexts unless we
manage to get some real funding; currently our funding is mostly
from Michael Hart's salary at Carnegie-Mellon University, and an
assortment of sporadic gifts; this salary is only good for a few
more years, so we are looking for something to replace it, as we
don't want Project Gutenberg to be so dependent on one person.
We need your donations more than ever!
All donations should be made to "Project Gutenberg/CMU": and are
tax deductible to the extent allowable by law. (CMU = Carnegie-
Mellon University).
For these and other matters, please mail to:
Project Gutenberg
P. O. Box 2782
Champaign, IL 61825
When all other email fails try our Executive Director:
Michael S. Hart
We would prefer to send you this information by email.
******
To access Project Gutenberg etexts, use any Web browser
to view http://promo.net/pg. This site lists Etexts by
author and by title, and includes information about how
to get involved with Project Gutenberg. You could also
download our past Newsletters, or subscribe here. This
is one of our major sites, please email [email protected],
for a more complete list of our various sites.
To go directly to the etext collections, use FTP or any
Web browser to visit a Project Gutenberg mirror (mirror
sites are available on 7 continents; mirrors are listed
at http://promo.net/pg).
Mac users, do NOT point and click, typing works better.
Example FTP session:
ftp sunsite.unc.edu
login: anonymous
password: your@login
cd pub/docs/books/gutenberg
cd etext90 through etext99
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET GUTINDEX.?? [to get a year's listing of books, e.g.,
GUTINDEX.99]
GET GUTINDEX.ALL [to get a listing of ALL books]
***
**Information prepared by the Project Gutenberg legal advisor**
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault. So, among other things, this "Small Print!" statement
disclaims most of our liability to you. It also tells you how
you can distribute copies of this etext if you want to.
*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement. If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from. If you received this etext on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
tm etexts, is a "public domain" work distributed by Professor
Michael S. Hart through the Project Gutenberg Association at
Carnegie-Mellon University (the "Project"). Among other
things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy
and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the Project's "PROJECT GUTENBERG" trademark.
To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works. Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects". Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] the Project (and any other party you may receive this
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from. If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy. If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.
THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.
INDEMNITY
You will indemnify and hold the Project, its directors,
officers, members and agents harmless from all liability, cost
and expense, including legal fees, that arise directly or
indirectly from any of the following that you do or cause:
[1] distribution of this etext, [2] alteration, modification,
or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:
[1] Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
etext or this "small print!" statement. You may however,
if you wish, distribute this etext in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word pro-
cessing or hypertext software, but only so long as
*EITHER*:
[*] The etext, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR
[*] The etext may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the etext (as is
the case, for instance, with most word processors);
OR
[*] You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
etext in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this
"Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the
net profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don't derive profits, no royalty is due. Royalties are
payable to "Project Gutenberg Association/Carnegie-Mellon
University" within the 60 days following each
date you prepare (or were legally required to prepare)
your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of. Money should be paid to "Project Gutenberg
Association / Carnegie-Mellon University".
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
THE ADVENTURES OF SHERLOCK HOLMES by ARTHUR CONAN DOYLE
A Scandal in Bohemia
The Red-headed League
A Case of Identity
The Boscombe Valley Mystery
The Five Orange Pips
The Man with the Twisted Lip
The Adventure of the Blue Carbuncle
The Adventure of the Speckled Band
The Adventure of the Engineer's Thumb
The Adventure of the Noble Bachelor
The Adventure of the Beryl Coronet
The Adventure of the Copper Beeches
ADVENTURE I. A SCANDAL IN BOHEMIA
I.
To Sherlock Holmes she is always THE woman. I have seldom heard
him mention her under any other name. In his eyes she eclipses
and predominates the whole of her sex. It was not that he felt
any emotion akin to love for Irene Adler. All emotions, and that
one particularly, were abhorrent to his cold, precise but
admirably balanced mind. He was, I take it, the most perfect
reasoning and observing machine that the world has seen, but as a
lover he would have placed himself in a false position. He never
spoke of the softer passions, save with a gibe and a sneer. They
were admirable things for the observer--excellent for drawing the
veil from men's motives and actions. But for the trained teasoner
to admit such intrusions into his own delicate and finely
adjusted temperament was to introduce a distracting factor which
might throw a doubt upon all his mental results. Grit in a
sensitive instrument, or a crack in one of his own high-power
lenses, would not be more disturbing than a strong emotion in a<
br />
nature such as his. And yet there was but one woman to him, and
that woman was the late Irene Adler, of dubious and questionable
memory.
I had seen little of Holmes lately. My marriage had drifted us
away from each other. My own complete happiness, and the
home-centred interests which rise up around the man who first
finds himself master of his own establishment, were sufficient to
absorb all my attention, while Holmes, who loathed every form of
society with his whole Bohemian soul, remained in our lodgings in
Baker Street, buried among his old books, and alternating from
week to week between cocaine and ambition, the drowsiness of the
drug, and the fierce energy of his own keen nature. He was still,
as ever, deeply attracted by the study of crime, and occupied his
immense faculties and extraordinary powers of observation in
following out those clews, and clearing up those mysteries which
had been abandoned as hopeless by the official police. From time
to time I heard some vague account of his doings: of his summons
to Odessa in the case of the Trepoff murder, of his clearing up
of the singular tragedy of the Atkinson brothers at Trincomalee,
and finally of the mission which he had accomplished so
delicately and successfully for the reigning family of Holland.
Beyond these signs of his activity, however, which I merely
shared with all the readers of the daily press, I knew little of
my former friend and companion.
One night--it was on the twentieth of March, 1888--I was
returning from a journey to a patient (for I had now returned to
civil practice), when my way led me through Baker Street. As I
passed the well-remembered door, which must always be associated
in my mind with my wooing, and with the dark incidents of the
Study in Scarlet, I was seized with a keen desire to see Holmes
again, and to know how he was employing his extraordinary powers.
His rooms were brilliantly lit, and, even as I looked up, I saw
his tall, spare figure pass twice in a dark silhouette against
the blind. He was pacing the room swiftly, eagerly, with his head
sunk upon his chest and his hands clasped behind him. To me, who
knew his every mood and habit, his attitude and manner told their
own story. He was at work again. He had risen out of his
drug-created dreams and was hot upon the scent of some new
problem. I rang the bell and was shown up to the chamber which
had formerly been in part my own.
His manner was not effusive. It seldom was; but he was glad, I
think, to see me. With hardly a word spoken, but with a kindly
eye, he waved me to an armchair, threw across his case of cigars,
and indicated a spirit case and a gasogene in the corner. Then he
stood before the fire and looked me over in his singular
introspective fashion.
"Wedlock suits you," he remarked. "I think, Watson, that you have
put on seven and a half pounds since I saw you."
"Seven!" I answered.
"Indeed, I should have thought a little more. Just a trifle more,
I fancy, Watson. And in practice again, I observe. You did not
tell me that you intended to go into harness."
"Then, how do you know?"
"I see it, I deduce it. How do I know that you have been getting
yourself very wet lately, and that you have a most clumsy and
careless servant girl?"
"My dear Holmes," said I, "this is too much. You would certainly
have been burned, had you lived a few centuries ago. It is true
that I had a country walk on Thursday and came home in a dreadful
mess, but as I have changed my clothes I can't imagine how you
deduce it. As to Mary Jane, she is incorrigible, and my wife has
given her notice, but there, again, I fail to see how you work it
out."
He chuckled to himself and rubbed his long, nervous hands
together.
"It is simplicity itself," said he; "my eyes tell me that on the
inside of your left shoe, just where the firelight strikes it,