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  ‘Need I go on? You know how warmly I joined the Girondin party; you know how we have been sacrificed; you know what the death is which I and my brethren are to suffer to-morrow. On now ending, I repeat what I said at the beginning: Judge not of my narrative till you have seen with your own eyes what really takes place in the morning. I have carefully abstained from all comment, I have simply related events as they happened, forbearing to add my own views of their significance, my own ideas on the explanation of which they admit. You may believe us to have been a family of nervous visionaries, witnesses of certain remarkable contingencies; victims of curious, but not impossible chances, which we have fancifully and falsely interpreted into supernatural events. I leave you undisturbed in this conviction (if you really feel it); to-morrow you will think differently; to-morrow you will be an altered man. In the mean time, remember what I now say, as you would remember my dying words: Last night I saw the

  supernatural radiance which warned my father and my brother; and which warns me, that, whatever the time when the execution begins, whatever the order in which the twenty-one Girondins are chosen for death, I shall be the man who kneels under the guillotine, as the clock strikes nine!’

  It was morning. Of the ghastly festivities of the night no sign remained. The prison-hall wore an altered look, as the twenty-one condemned men (followed by those who were ordered to witness their execution) were marched out to the carts appointed to take them from the dungeon to the scaffold.

  The sky was cloudless, the sun warm and brilliant, as the Girondin leaders and their companions were drawn slowly through the streets to the place of execution. Duprat and Marigny were placed in separate vehicles: the contrast in their demeanour at that awful

  moment was strongly marked. The features of the doomed man still preserved their noble and melancholy repose; his glance was steady; his colour never changed. The face of Marigny, on the contrary, displayed the strongest agitation; he was pale even to his lips.

  The terrible narrative he had heard, the anticipation of the final and appalling proof by which its truth was now to be tested, had robbed him, for the first time in his life, of all his self-possession. Duprat had predicted truly; the morrow had come, and he was an altered man already.

  The carts drew up at the foot of the scaffold which was soon to be stained with the blood of twenty-one human beings. The condemned deputies mounted it; and ranged themselves at the end opposite the guillotine. The prisoners who were to behold the execution remained in their cart. Before Duprat ascended the steps, he took his friend’s hand for the last time: ‘Farewell!’ he said, calmly. ‘Farewell! I go to my father, and my brother! Remember my words of last night.’

  With straining eyes, and bloodless cheeks, Marigny saw Duprat take his position in the middle row of his companions, who stood in three ranks of seven each. Then the awful spectacle of the execution began. After the first seven deputies had suffered there was a pause; the horrible traces of the judicial massacre were being removed. When the execution proceeded, Duprat was the third taken from the middle rank of the condemned.

  As he came forward, and stood for an instant erect under the guillotine, he looked with a smile on his friend, and repeated in a clear voice the word, ‘Remember!’—then bowed himself on the block. The blood stood still at Marigny’s heart, as he looked and listened, during the moment of silence that followed. That moment past, the church clocks of Paris struck. He dropped down in the cart, and covered his face with his hands; for through the heavy beat of the hour he heard the fall of the fatal steel.

  ‘Pray, sir, was it nine or ten that struck just now?’ said one of Marigny’s fellow-prisoners to an officer of the guard who stood near the cart.

  The person addressed referred to his watch, and answered—‘NINE O’CLOCK!’

 


 

  Wilkie Collins, Nine O'Clock

  (Series: # )

 

 


 

 
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